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About the Artist

The Seriagraph Process  

JOHN AUGUST SWANSON born in 1938 in Los Angeles, California, paints in oil, watercolor, acrylic, and mixed media, and is an independent printmaker of limited edition serigraphs, lithographs, etchings, and other prints.

Since 1969, his art has reflected his strong heritage of storytelling, inherited from his Mexican mother and Swedish father. John Swanson’s narratives are direct and easily understood. He addresses himself to human values, cultural roots, and the quest for self-discovery through visual images. These include: Bible stories and social celebrations, such as attending circuses, concerts, and operas. His parables optimistically embrace life and one’s spiritual transformation.

John Swanson studied lettering and printmaking with Corita Kent at Immaculate Heart College. His unique style is detailed, complex, and elaborate. It is influenced by the imagery of Islamic and medieval miniatures, and of Russian iconography; the color of Latin American folk art; and the tradition of Mexican muralists.
As an artist, printer and serigrapher, Swanson oversaw all phases of the production of his original silkscreen prints. His hand-crafted serigraphs are printed in up to 89 colors of transparent and opaque inks, which overlap to create rich and detailed imagery. For each color printed, the artist drew a stencil on Mylar film. Each stencil was subsequently transferred to a silkscreen, which was used to print one color onto the serigraph edition. After many printings, the resulting serigraph is a matrix of richly overlaid colors, visually striking and technically masterful. Since 2011, he has retired from screen printing. He continues to make his artwork available as archival, 6-color Epson prints. Every print is carefully inspected, and color-matched by the artist.

Mr. Swanson’s art is represented in the permanent collections of many museums, including: The Smithsonian Institution’s National Museums of American History, American Art, and Air and Space; his works are in the print collections of the Art Institute of Chicago, Harvard University’s Fogg Museum, the Tate Gallery, the Victoria and Albert Museum in London, and the Bibliothèque Nationale in Paris. His painting, THE PROCESSION, is displayed in the Vatican Museums’ Collection of Modern Religious Art.

Life magazine’s December, 1994 edition featured Swanson’s painting, ENTRY INTO THE CITY, for the article Who Was Jesus. This painting is in the collection of the University of Notre Dame, and is displayed in their Center for Continuing Education. John August Swanson revisited ENTRY INTO THE CITY in August of 2011 through January of 2012, creating a new mixed-media painting, now in the permanent collection of Our Lady of the Angels Cathedral, Los Angeles.

Mr. Swanson’s 2002 serigraph, FRANCIS AND THE WOLF, was used as the cover image for the October, 2002 edition of St. Anthony’s Messenger. The corresponding article, Artist John August Swanson and His Images, written by Jack Wintz, OFM, featured the artist’s connection with Francis of Assisi, several original artworks, and his biography. In 1995, Orbis Books published There Is A Season (Catholic Press Association’s 1996 first-place award in spirituality) which featured Swanson’s painting, ECCLESIASTES. It is a series of meditations in art and words on the famous passage from Ecclesiastes. Joan Chittister, O.S.B. wrote the text. A second collaboration with Joan Chittister, The Story of Ruth, based on the serigraph, STORY OF RUTH, was published in 2000 by Eerdmans. In July, 2002, Orbis Books published the book, Saint Francis. Marie Dennis’ text comments on Swanson’s multi-panel painting, FRANCIS OF ASSISI. This elaborate, narrative painting on the life of St. Francis is explored through close-ups and details.

John Swanson was awarded the Doctor of Humane Letters degree honoris causa from California Lutheran University, Thousand Oaks, California, on May 11, 1996, in recognition of his visionary achievements as a graphic artist.

In January, 2001, a mosaic reproducing John Swanson’s serigraph, GREAT CATCH, was dedicated at Concordia University in Irvine, California. Made by craftsmen in Italy from Byzantine glass, the 6’ by 8’ mosaic is installed in the foyer of the Grimm Student Union. A 4’ by 5’ mosaic, adapted from Swanson’s THE RIVER, will be installed in September of 2012 at St. Matthew’s Lutheran church in Glendale, California.

Since September, 2002, the artwork of John August Swanson continues to be exhibited throughout Luther Seminary in St. Paul, Minnesota. In addition to building an extensive collection, featuring old and new works, Luther Seminary maintains an important archive of materials from the artist’s creative process, including: sketches, stencils, canceled silk screens, and technical information from the printing process, as well as articles, press releases, notes, and correspondence. Though displayed within the school, Luther Seminary’s collection has also been made available for display outside of campus, including major exhibitions in Minneapolis, Minnesota at the Basilica of St. Mary (2002 and 2012) and Westminster Presbyterian Church (2010).

In January, 2003, John Swanson’s serigraph, FRANCIS AND THE WOLF, was awarded a President’s Purchase Award by the Kellogg Art Gallery, California State University - Pomona, Ink & Clay 29 Exhibit; GOOD SAMARITAN and LOAVES AND FISHES were similarly awarded in subsequent Ink and Clay Exhibitions.

In 2005, Mr. Swanson was one of 33 Inaugural recipients (including Pope John Paul II, Bishop Desmond Tutu, and President Jimmy Carter) of the Mother Teresa Award, for achievements which beautify the world.

In 2006, Swanson was commissioned by Hill Avenue Grace Lutheran Church, Pasadena, to create a large altarpiece based on his NATIVITY TRYPTICH for an altarpiece in their Christ Chapel. In 2007, incorporating elements from the TRIPTYCH, the artist collaborated with Judson Studios to create beautiful stained glass windows that surround the altarpiece, and compliment the chapel’s collection of Swanson works.

In 2008, an extensive collection of John August Swanson’s works were acquired by Emory University’s new Candler School of Theology and the Center for Ethics for display. Now, with over 55 works hung, this is the largest open public display of the artwork of John August Swanson. Additionally, Emory University’s Pitts Theology Library keeps an archive of Swanson’s work, includes notes, studies of Swanson’s artwork, examples of the printing process, and pieces dating back to 1969.

Candler’s Dean Jan Love awarded Swanson the Dean’s Medal in 2009 for his art’s transformative effect on the campus. During his visit to Emory in 2009, Swanson gave lectures and collaborated with Don Saliers, distinguished Professor of Theology and Worship, Emeritus, in preparing a liturgy. In July of 2011, The Thrill of Hope DVD and guide book was published, combining Swanson’s artwork of the birth of Christ with commentary from professors of the Candler School of Theology. A sequel, What Wondrous Love, is scheduled for release in September, 2012. Between April 2 and June 22, 2012 The Art of Storytelling: The John August Swanson Collection was displayed at Pitts Library, introduced with a lecture by Don Saliers.

Between October 1 and December 12, 2008, Yale Divinity School’s Institute of Sacred Music exhibited 40 of Swanson’s serigraphs. 17 were acquired for permanent display, and remain in the University’s collection. Swanson presented a lecture to a Graduate level class on the Iconography of Christian Art, and spoke at First Presbyterian Church and United Church on the Green in New Haven, Connecticut.

March 22 and 23, 2009, Loyola Marymount University held a symposium, titled, Theological Aesthetics and the Art of John August Swanson. Four scholars delivered papers at the symposium which were published in the 21:1, 2010 edition of the journal, Arts in Religious and Theological Studies.

On the April 27, 2012, Swanson spoke on the theme of Art and Social Justice for the Visiting Artists & Lecturers Series for LMU’s College of Communication & Fine Arts. Swanson is a regular guest speaker for LMU Prof. Cecilia Gonzalez-Andrieu’s class, Meeting Christ in Faith & Art. His work is featured in her book, Bridge to Wonder: Art as the Gospel of Beauty (Baylor University, 2012).

Throughout November of 2010, Fuller Seminary, Pasadena, CA, displayed eleven serigraphs in the school's Hubbard Library. The event opened with presentations given by John August Swanson, and Dr. Robin M. Jenson, Professor at Vanderbilt University. This event was sponsored by the Seminary's Brehm Center for “creative integration of worship, theology, and arts in culture.”

September 4 through November 28, 2010, a private collection of Swanson’s artwork was displayed at the restored D.A. Blodgett Building in Grand Rapids, MI. The exhibition was sponsored by the Inner City Christian Federation, a group which provides assistance to low-income residents. Swanson delivered a series of lectures on his art and social justice. This collection will travel to Dordt College in Sioux Center, IA, October 13 through November 28, 2012, and Trinity Christian College Palos Heights, Illinois, in February, 2013.

June through September, 2012, Our Lady of the Angels Cathedral in Los Angeles exhibited The Art of John August Swanson, a collection of 30 framed serigraphs, paintings, and giclées, representing more than 25 years of the artist’s work.

In celebration of the parish’s 65th Anniversary, on September 16, 2012, St. Matthew’s Lutheran Church in Glendale, CA unveiled a 4’ x 5’ mosaic adapted from John August Swanson’s 1987 serigraph, THE RIVER.

Christ Cathedral (the former Crystal Cathedral) in Garden Grove, California, dedicated their Chapel of Unity and Reconciliation in 2015. The chapel features an 11’ x 15’ mural of Swanson’s 1999 painting, WASHING OF THE FEET.

On May 19, 2018, Swanson was awarded an Honorary Doctor of Letters degree by Loras College in Dubuque, Iowa.

 

 

 

Copyright © 2018 John August Swanson